Photo 1: Photo taken in strong sunlight.
From Project_48_TAOP |
f/8, 1/90s, 48mm
Photo 2: Similar photo taken in cloudy conditions, using sunlight WB setting. The photo has a blue 'wash' to it, and the lighting is much softer and more even over the face. I think this is preferable to the sunlit photo, where the shadows are quite strong and dominant on the face. This photo has about 2 stops less light than the sunlit image.
From Project_48_TAOP |
f/4, 1/90s, 50mm
Photo 3: Similar photo taken in cloudy conditions, using cloudy WB setting. Here the skin tones are more appropriate, and some of the blue tinge is gone from the photo.
From Project_48_TAOP |
f/4, 1/125s, 50mm
Photo 4: Photo taken in strong sunlight. The colours are strong and bright and clear.
From Project_48_TAOP |
f/8, 1/350s, 32mm
Photo 5: Similar photo taken in cloudy conditions, using sunlight WB setting. The same blue 'wash' is present in this photo - and it quite suits the snowy, cold-looking setting. This photo has about 2 stops less light than the sunlit image.
From Project_48_TAOP |
f/4, 1/250s, 50mm
Photo 6: Similar photo taken in cloudy conditions, using cloudy WB setting. Here the buildings have lost the blue tinge, and look a more realistic colour.
From Project_48_TAOP |
f/4, 1/250s, 50mm
Photo 7: A photo taken at Cramond recently on an overcast day (long exposure). Here the scene is moody and dark, and would be not nearly as interesting taken in full sunlight!
From Project_48_TAOP |
f/22, 15s, 24mm
Photo 8: A slightly quirky photo taken as a possible photo for Assignment 3, near to the Edinburgh canal. The day is overcast and the light softly diffuse over the whole scene. The colours of grafitti are quite bright and strong in this photo.
From Project_48_TAOP |
f/4.5, 1/125s, 45mm
Photo 9: Another photo taken as a possible photo for Assignment 3. It was taken in cloudy conditions, which suit both the even lighting required and the reflection in the water, and lack of bright highlights, which I don't think would have suited the photo.
From Project_48_TAOP |
f/5.6, 1/8s, 48mm
Photo 10: Example of photos taken in my archives that suit the cloudy situation, and would not have been better in strong sunlight. This first photo is taken in the NW Scottish highlands, and both because of the detail in the rocks and the water reflection, would not be better in strong sunlight.
From Project_48_TAOP |
f/6.7, 1/250s, 45mm
Photo 11: A second, somewhat moody photo taken in Venice which also would not be better in strong sunlight, where the shadows would take over the photo. Here there is enough detail under the arch and to the water beyond, whereas in stronger light this may not be the case. The even lighting was beneficial for taking this photo.
From Project_48_TAOP |
f/5, 1/80s, 43mm
PS - Thanks very much to Duncan for showing me how to link to my photos in picasaweb - now you can click on the photos above to see the camera settings and leave comments on individual photos if you want in picasa. The learning process continues!!
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