Showing posts with label Travel. Show all posts
Showing posts with label Travel. Show all posts

Tuesday, 25 October 2011

Exercise 23: Selective processing and prominence

The aim of this exercise is to use simple post-production techniques to either emphasise a figure or make it less prominent in a setting. I have chosen two photos taken recently at North Stradbroke Island. I was hoping to use this location for Assignment 4 but I don't have a sufficient number of high quality images so won't be using it for my subject unless I can get back in the next month or two.  It is a beautiful location - these two photos were taken at the Gorge Walk, in Point Lookout. North Stradbroke Island is very easy to get to from Brisbane and is a popular location for all sorts of beach related activities and also for wildlife spotting.

Photo 1. First the image as it came out of the raw process. I have increased saturation and the photo shows a nice view through trees to water in the distance with a photographer friend posing for me on a wooden walkway structure. I have only adjusted exposure etc for the whole image in this photograph.



Photo 2. This shows the image as before but this time I have gently dodged over my friends face and upper body using the soft light technique in photoshop. She now stands out better from the trees and is thus more prominent in the photograph.



Photo 3. This image has a very prominent woman in the foreground, in her brightly coloured dress, again taken directly from the raw process, only with exposure/saturation edits to the whole image.



Photo 4. I have used the same technique as before, gently burning in the woman and her bright dress to slightly darken her. She is now less prominent than Photo 3, and in fact I think the photograph as a whole is more successful. She actually looks more tanned in this image too which often would be appreciated in a portrait. The effect is quite subtle on the small images actually...



I have not done this sort of processing before (in fact I just learnt today how to do it for this exercise!) I think it will be very useful to know how to do this kind of minor dodge/burn which is subtle and yet quite effective. I actually think the two edited photographs are improved from the selective processing that I have applied.

Other options for selective processing would be to blur either the fore or background to emphasise the person, but that was not suitable in these cases and in fact I don't yet know how to do it. I'll investigate further and perhaps add another image to this exercise later on.

Wednesday, 8 June 2011

Hidden Vale

I went on a fabulous work trip recently to a little known spot called Hidden Vale. Stunning. Hard to believe we were so close to Brisbane. We did lots of fun team building activites, but I was most excited about the photographic opportunities. Lucky for me we got some free time in the evening and I got up early the next morning too to take photos. And boy was I rewarded. I know I'm not particularly skilled in the landscape area, so I was very pleased to have such a fine view right on the doorstep and was provided with a lovely sunset in the evening and gorgeous mist in the morning. I managed to get nice shots by taking quite a few photos, but also tried to frame my shots in attractive ways and use a range of focal lengths.

Here are two favourites:

Evening light:
From Landscapes


Misty morning:
From Landscapes

Saturday, 30 April 2011

Perth Street Photography

I was in Perth (Australia) for work a few weeks ago and took the opportunity to take some street photographs. I used my point and shoot camera (Canon Powershot S95), a fabulous little camera which allowed me to be fairly subtle and less in-the-face than the big 30D. It was quite challenging taking photos of strangers in their rush hour heading home, but it was fun too, particularly playing with the strong contrasting light.

Starting off with a quick self-portrait (well, a partial...)

From Street_Perth


Girl at a bus stop (challenging bright light behind)

From Street_Perth


I like the shadows in this one, and the fairly severe expression on this womans face!

From Street_Perth


Look at those shoes!

From Street_Perth


Sneaky photo not looking through camera viewfinder.

From Street_Perth


Strong late afternoon sunlight and great facial!

From Street_Perth


Sleepwalking

From Street_Perth


Nice light separating my subject here from the background

From Street_Perth


Blurry but I like it

From Street_Perth


Still got a ways to go with street photography, but it's definately fun to try!

Monday, 21 March 2011

Womadelaide

Womad was on last weekend and as a result I finally got around to shooting my event for Assignment 2, People & Places. Here are a few grabs from the (pleasantly large) pile of good photos I captured. I know I've been in the UK too long... I forgot to take a polariser with me!!

From Womadelaide_2011


From Womadelaide_2011


From Womadelaide_2011


From Womadelaide_2011


The greatest festival in the world for fabulous world music, dance, food and fun set in a beautiful environment in Botanic Park, Adelaide. What a great weekend. More photos to come ;)

Friday, 20 August 2010

Assignment 5: Applying the techniques of illustration and narrative

I have chosen to photograph the Island of Mull, which is off Scotland's West Coast. It has been our favourite place to visit over the last 3 years that we have lived in Scotland. As we are heading back to Australia at the end of August I thought it would be a challenge to try to capture something of the still beauty of Mull and what makes it such a special place.

I have storyboarded how I imagine these photos might go in a magazine.

Title Page
From Assignment_5_Mull


Page 1,2
From Assignment_5_Mull


Page 3,4
From Assignment_5_Mull


Page 5,6
From Assignment_5_Mull


And here are the individual photographs:


Photo 1. Title Page, Escher 3 worlds

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/11, 27mm, 1/350sec, ISO 200

Photo 2. Page 1, Top, Wild Waves

From Assignment_5_Mull


70-200mm f/2.8 lens, Canon 30D, f/11, 200mm, 1/750sec, ISO 200, -1/2EV

Photo 3. Page 1, Bottom, Still reflections

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/16, 30mm, 1/90sec, ISO 250, -1/2EV

Photo 4. Page 2, Left, Tobermory Harbour

From Assignment_5_Mull


24-70mm f/2.8 macro lens, Canon 30D, f/9.5, 57mm, 1/180sec, ISO 100

Photo 5. Page 2, Right, Keeping in touch

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/8, 24mm, 1/350sec, ISO 100, -1/2EV

Photo 6. Page 3, Travel by boat

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/5.6, 35mm, 1/350sec, ISO 200

Photo 7. Page 4, Top, Powerlines in the mist

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/6.7, 67mm, 1/180sec, ISO 400

Photo 8. Page 4, Bottom, Remote roads

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/6.7, 70mm, 1/750sec, ISO 200

Photo 9. Page 5, Saying goodbye

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/5.6, 40mm, 1/180sec, ISO 200

Photos 10. Page 6, Sunsets at Croggan

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/8, 24mm, 1/20sec, ISO 400, -1EV

Photo 11. Page 6, Sunsets at Croggan

From Assignment_5_Mull


70-200mm f/2.8 lens, Canon 30D, f/8, 120mm, 1/250sec, ISO 250

Photo 12. Page 6, Sunsets at Croggan

From Assignment_5_Mull


24-70mm f/2.8 lens, Canon 30D, f/8, 25mm, 1/10sec, ISO 250

I can hardly believe that I have come to the end of the course. It has been challenging, rewarding, difficult at times and kept me very busy! I've really enjoyed it and feel like my photography has improved quite a lot over the (almost) 2 years that I've taken. I plan on getting assessed and hope to do well but I'm not too bothered as I feel like I'm moving in the right direction of developing my photographic eye and skills along the way. The course has made obvious some of my technical shortcomings - mainly in artificial light use and also photoshop. I hope to keep working on these skills during the People & Places course that I started at the beginning of this year. I also feel like some of my 'natural' ability with framing a good photograph in the camera, and choosing unusual subjects/viewpoints has become more obvious with this course too. It's great fun!! :)

Tuesday, 10 November 2009

What a difference the light makes!

These two photos were taken only a few hours apart, and the clear difference between flat dull light (the first) and cloudy skies with occasional sun breaking through (the second) is so clear! I thought this was a great example of changing light and the patience we need to have in photography (though on this occasion it was all luck and we happened to be walking in the same area at two parts of the day). These were taken last weekend (7 Nov) in Paris, and are of Notre Dame.

50mm, f/4.5, 1/90s, 0EV, Grad Neutral Density Filter, ISO320

40mm, f/6.7, 1/180s, -1/2EV, Grad Neutral Density Filter, ISO 400

Saturday, 17 October 2009

Richard Childs Photography Workshop

I went on a one day workshop last weekend, with Richard Childs, a scottish landscape photographer (website here). It was a full day of taking photos, at 4 different locations in Argyll. The group was small (about 7 or 8 people) and we got lots of individual attention. I really enjoyed getting out and taking photos in a group. I realised that I basically have most of the skills I need (not to say I didn't learn anything - I certainly did!) but I really just need to get out myself and spend more time taking photos. Slow time that is, instead of going for a walk with my camera and taking a few snaps. Being slowed down by taking my tripod, film camera, digital and a few lenses, and really taking the time to see a photo, try moving to another spot, taking lots of similar photos (particularly with the way the light changes so rapidly) and really trying to get a great shot. It reinforced the 'slow' photography message for me, which is something I would like to aim towards as opposed to the click and move on type of photography.
I think I took a few good images. Here are 4 that I like.
Autumn Berry
63mm, f/16, 1/2s, ISO100, Tripod

Shades of green
46mm, f/2.8, 1/13s, ISO100, Tripod

Tree Fungi
68mm, f/22, 15s, ISO100, Tripod

Shore grasses
19mm, f/22, 1s, ISO100, Tripod

Wednesday, 27 May 2009

Project 29: Applying the Elements of Design

This project is a mini-assignment really, the aim being to apply the insights learnt so far on the course about design into a set of photographs directed towards one type of subject. I chose to do landscape as the theme, and have taken a series of photos, mostly from the Isle of Mull or the Isle of Arran both on the West coast of Scotland where we have visited recently. Like with the assignments, it was good to have a challenge in mind when out taking photos, and I feel I have been more successful with some shots than others in fulfilling the criteria, though as a group I think it works quite well.

Vertical Lines: Taken off the Isle of Staffa, which is in turn off the Isle of Mull. This is a photo of Fingals Cave in amazing high seas, with the waves crashing against the rocks. The vertical columns are basalt and are commonly seen on Mull and its islands, but Fingals Cave is the most famous. Mendelssohn was so taken he wrote a symphony! I only managed this photo...
120mm, f/5.6, 1/750s, ISO200

Implied Triangle: Also taken of the Isle of Staffa, more basalt, but this time it has expanded and shrunk variably, forming an implied triangle, particularly from the low angle of the boat where I was located (wedged in a corner due to the bad swell!). The white water running down between the columns adds to the photo.

145mm, f/8, 1/500s, ISO200

Curves: Loch Na Keal, Isle of Mull. The high tide marks are identified by the seaweed which has washed ashore. These form nice curves on the rocky beach.
59mm, f/11, 1/350s, ISO200

Point (plus horizontal & diagonal): A single tree, Isle of Mull, stands out against the water and background hills (diagonal and horizontal elements here too), with dappled light playing on the surface of the hills. The tree is a strong single point which the viewers eye keeps coming back to.
200mm, f/11, 1/350s, ISO200

Diagonal: A simple landscape shot of a valley, Isle of Mull, and a house (point) where the main diagonal is simply formed by the background valley. I cropped the sky away at the top to help emphasise the valley.
70mm, f/11, 1/350s, ISO200

Implied Triangle: 3 boats on the water form an implied triangle, Isle of Mull.
170mm, f/19, 1/250s, ISO200

Two points: The contrast here is between the standing stones (similar age to Stonehenge), and the small (modern) house in the distance in this low contrast photo. Isle of Arran Standing Stones.
700mm, f/5.6, 1/180s, ISO100

Several points in a deliberate shape: A photo of sand and seaweed where the seaweed is loosely 'arranged' in a triangluar/squashed rectangle arrangement. Isle of Arran.
70mm, f/6.7, 1/250s, ISO200

Distinct Shape: This photo of two birds on a dark rock, waves breaking and the distinct shape on the horizon of an island called Ailsa Crag is really effective. Taken from the South coast of the Isle of Arran.
200mm, f/5.6, 1/250s, ISO200

Pattern: A close-up photo of swirling white bubbles on dark water gives an abstract feel to this photo. Cambridge, UK.
70mm, f/9.5, 1/350s, ISO400

Rhythm: A narrow DOF emphasises some grasses and against a hill in the background. This is not a really strong rhythm photo but I think it shows elements of rhythm.
70mm, f/8, 1/1000s, ISO200