Project 7: Objects in different positions in the frame

The aim of this project was to choose a really simple scene, with only a few elements, and to carefully choose where the main object was placed relative to the background. I chose a bright red buoy on Edinburgh's canal, where I often walk. The main elements of the photo, and my position doesn't change at all in this series, but where I have placed the lifebuoy is different in each photo, and therefore the relationship between the buoy and fence is different in each photo.

Photo 1: Quickly taken without much thought. It's ok, there is some balance between the buoy and fence.

50mm, f/2, 1/50sec, ISO 400

Photo 2: Dead Centre. The buoy breaks up the photo and there is no continuity of the fence.

50mm, f/2, 1/50sec, ISO 400

Photo 3: I think I prefer this one, as there is a large part of the photo as fence (interesting with the diagonal lines) and then there is the lifebuoy which is bright and clean.

50mm, f/2, 1/50sec, ISO 400

Photo 4: This is the same as photo 3 but with the buoy on the left, which works also but is not quite as good as photo 3 in my opinion.

50mm, f/2, 1/50sec, ISO 400

Photo 5: This one I chose to not include the ground at the bottom, and therefore more of the fence at the top of the photo. I think this unbalances the photo, and is therefore not as good as the other photos.

50mm, f/2, 1/50sec, ISO 400

I like Photo 3 the best because of the large amount of fence which balances nicely with the bright red buoy and the buoy doesn't break up the scene too much but is instead part of the scene.

Project 5: Panning with different shutter speeds

The aim of this project was to depict motion by moving the camera with the subject. I chose a busy roundabout where I could focus on people walking past, cars and cyclists all moving around the roundabout. I took a lot of photos, and many of them didn't work at all - this method takes patience and lots of practice to get all the elements right, yet alone in a balanced photo! It was hard to choose the amount/speed of panning required to keep the subject sharp (especially as it was hard to judge the speed of the subjects motion). I also found that when the cars were moving through the roundabout, their speed across my viewfinder wasn't constant (ie they moved towards me first and then across the frame), so it was hard to judge this, and it resulted in cars that were partly blurred and partly sharp! Anyway, it was a fun exercise and one that I will work on more and experiment with to try to get a good photo out of it.


Photo 1: Man is sharp, background is blurred, but not much motion.

50mm, f/2.8, 1/40sec, ISO 400

Photo 2: Woman is sharp, and blurred cars in background. She looks quite static.

50mm, f/3.2, 1/40sec, ISO 400

Photo 3: Car - front is sharp, back is blurred!

50mm, f/4, 1/40sec, ISO 400

Photo 4: Blur adds to sense of motion, even though car isn't sharp.

50mm, f/4, 1/40sec, ISO 400

Photo 5: Truck - parts are sharp, and parts blurred. Clearly it's a busy scene.

50mm, f/5, 1/40sec, ISO 400

Photo 6: Lots of lights and other vehicles in the background contrasting with the sharp nature of the car show a busy scene with lots of movement.

50mm, f/5.6, 1/40sec, ISO 400

Photo 7: Cyclist - he's very blurred, but all the lights in the background are interesting, and the bike is clearly a bike! I like the reflection on the road also.

50mm, f/7.1, 1/13sec, ISO 400

Photo 8: Pedestrian, with cyclist and cars in background. There is a real sense of motion, in her stride, the almost invisible cyclist, car at the roundabout and in the distance, all with lights on, and the blur of the background. I really like this photo.

50mm, f/7.1, 1/13sec, ISO 400

Photo 9: Blurred cyclist - fills the frame more, obvious blur due to motion.

50mm, f/9, 1/13sec, ISO 400

Photo 10: Car at roundabout - sharp at the front, wheels clearly moving, other moving vehicles in background - a busy location is evident.

50mm, f/7.1, 1/13sec, ISO 400

Photo 11: Cyclist entering roundabout - not sharp, but again a clear sense of motion. I decreased shutter speed more here, to increase sense of motion, but it's hard to get the panning the right speed relative to both the movement/speed of the object, and also to the shutter speed. Practice is required!!!

50mm, f/9, 1/10sec, ISO 400

Photo 12: Cyclist in roundabout. Background totally blurred, it's obviously a bike moving.

50mm, f/8, 1/10sec, ISO 400

I think I like the dynamism that these photos have compared to the more static photos of the moving water that I did for Project 4.

Project 6: Fitting the frame to the subject

I attempted this project a couple of times but had difficulty finding appropriate subjects, and have decided on a small boat located on the edge of a frozen loch in the Scottish Cairngorms. It was very cold, as you'll see from the photos, so I didn't really spend as much time as perhaps I should on the photos, but hopefully the ideas are there and when I'm a bit warmer I'll try to take my time more.

Photo 1: Taken as a quick snapshot, to set the scene. I actually really like this photo, it has a nice leading line through the frame to the boat.

50mm, 1/60sec, f/10, ISO 100

Photo 2: This photo was meant to be a close cropping photo, only showing the subject. Unfortunately this means it's a bit boring, just a photo of a boat, without any more information. Perhaps I could have tried a different angle? I did crouch down to get a bit lower angle, and it was way too cold to go into the water!!

50mm, 1/60sec, f/7.1, ISO 100

Photo 3: This photo is a detailed one to show some aspect of the subject. I chose the cross-seats in the boat - I thought the colours were nice and it was a bit abstract. As a photo it really only works in conjunction with the other shots I think.

50mm, 1/60sec, f/7.1, ISO 100

Photo 4: The last photo was meant to put the subject in its surroundings. I chose to look low along the beach covered with ice and looking towards the shore on the far side of the loch. I possibly could have included a bit more of the snow-covered beach, but I only thought of that later. I like that you can see the blue inside of the boat that I photographed in Photo 3.

50mm, 1/60sec, f/8, ISO 100

Summary - this was a challenge to find an interesting subject that would be good to photo at different scales. I'm going to keep my eyes looking for other subjects like this and possibly repeat this project again later.

Project 4: shutter speeds

Freezing and blurring motion using different shutter speeds (fixed scene). I used the water flowing over rocks example because I found a nice location where this was occurring and it seemed like a good opportunity. I took 7 photos with varying shutter speeds and corresponding apertures. I used a tripod so all the photos have the same framing. I like how the water becomes gradually more blurred and silky looking. As the shutter speeds get longer, the aperture stops down and more of the photo is in focus which frames the silky water nicely.

Photo 1:

50mm, 1/25sec, f/1.8, ISO 100, Tripod

Photo 2:

50mm, 1/15sec, f/2.2, ISO 100, Tripod

Photo 3:

50mm, 1/8sec, f/3.2, ISO 100, Tripod

Photo 4:

50mm, 1/4sec, f/4.5, ISO 100, Tripod

Photo 5:

50mm, 1sec, f/8, ISO 100, Tripod

Photo 6:

50mm, 3sec, f/14, ISO 100, Tripod

Photo 7:

50mm, 6sec, f/22, ISO 100, Tripod

In summary, the first photo (Photo 1)(1/25sec) almost froze the water but some still looks slightly blurred. If there had been more light available (or I could have increased my ISO) then I would have used a faster shutter speed than that to completely freeze the water movement. I really like the final photo (Photo 7) because the water looks silky and the foreground and background are both nicely in focus and frame the image. Again, like the previous projects, it was good to consider one scene and see different ways of looking at it, depending on what style of photo I wanted to make.